What's amazing about this track is that the mix of instruments and vocals is very extensive and tight, on par with the best bands, and that this classy instrumental mix could be created by such a young man, almost a boy at the time. If you listen to today's Cerrone's compositions, there's far less instrumental content in them. Almost makes you suspect that it was someone else, much more mature, who created instrumental parties for this composition.
(Malligator, France, 1977)
Cerrone is simply a genius and very ugly dude (cit.).
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